Do Animated Movies Prepare Children for Sodomy?

May 22, 2010

by Sam Peyo
(for henrymakow.com)

Once we understand that animation picture makers carefully choose every little thing and gesture that goes into a film, it is very interesting to look at all the messages scattered throughout the virtual sets, on book covers, street signs, clothes and so forth.

Nowadays, many movies feature homosexuals (mostly men) gay behavior and even sodomy. While there is no doubt the movie industry is used for social engineering, promoting anti-traditional and subversive values, gays are nevertheless more often pictured as ludicrous than heroic. It is as if even gay directors and script writers (and I bet there are many of them out there) cannot quite give up the notion that a man acting like a hysterical woman is "funny". Let´s see a few examples:

Madagascar 1: Melman, the giraffe, is clearly gay. He is a "sensitive", self-centered hypochondriac completely devoid of androgenic hormones. Certainly there is no suggestion that he suffers from a developmental disorder or that anal intercourse is abnormal. He is a good companion for Alex, Marty and the lovely but dykey hippopotamus, Gloria. In one scene, Melman is submitted to a gynecological examination. In another, Alex tries to get him out of a crate using a palm trunk. When the trunk is inches away from Melman's privates, the giraffe screams "It's Gloria!". Gloria is in fact arriving on the beach at that moment, but the next line, "Oh, hey, it is Gloria!", shows that the first line did not refer to the arrival, but to the "glory" of the imminent sexual experience. In Madagascar 2, the studio decided to correct the impression by making Melman fall in love with Gloria.

In a TV episode of the Madagascar Penguins, the zoo sets up a simple robot which is programmed to give visitors directions. In the end, the robot is accidentally blown up. Debris is falling everywhere and King Julien, the lemur, is covering his head. The last part to fall is the robot's arm. When it does, the forearm bends towards Julien's butt with the hand resembling genitals. The subtitles speak for themselves. Sasha Baron Cohen dubs the voice of King Julien! 

Planet 51: Lem's friend Skiff is unmistakably gay. Very "sensitive", crying for almost no reason, and hysterically in love with Rover, a dog-like wheeled probe. On two occasions, the "dog" leaps on his lap wagging its tail strongly. It may not be intended to mean what I think it does, but the way others look on is very telling.

Skiff has a rather loose wrist for a brisk young man! During a street dance he performs the banal "F... gesture" three times while Neera looks on in surprise. Near the end of the movie, Lem tells general Grawl (resembling Schwarzenegger, with a suspiciously large and unruly forelock) that his persecuting behavior is due to his fear of the unknown. What Lem is really insinuating is "Come out of the closet and assume your true gay and peace-loving self!" 

Shark Tale: This is the story of Lenny, a gay shark who is not well accepted by his family (resembling the Italian mafia). Interestingly, vegetarianism is used as a proxy for homosexuality. The father's attempt to force his son to have sex with a woman (a virgin perhaps) is illustrated by his bullying him into eating a live shrimp which is begging for its life. The movie makes no secret of Lenny´s homosexuality. 

Other films: Examples of sodomy and homosexual behaviors are numerous. I could go on for the rest of the day, but here are three more scenes from Ice Age 2, Barnyard (guy in the middle with the earring in the left ear and the "funny" expression) and The Incredibles ("Syndrome" dances a very queer dance while scoffing at Mr. Incredible for resorting to a homing device).

CONCLUSION 

Combined with the mainstreaming of homosexuality in the media, its advocacy in public schools, and the general sexualization of children, it's hard to avoid the conclusion that some animated movies are part of a long-term Illuminati program to prepare children for sodomy

Weaponized Music: MTV and the NWO

Weaponized Music: MTV and the NWO

David Richards – via Henry Makow.com May 8, 2010

[This article contains highlights from an interview with MTV Chairman and CEO, Bill Roedy to Al Jazeera television, broadcast April 5, 2008. Throughout the film, he reveals the political nature of MTV, which reaches youth in 162 countries in 32 languages. Roedy is a former army ranger, involved in overseeing nuclear bases.]

If you think the culture creation industry exists solely to make money, perhaps this comment by Bill Roedy will change your mind. Asked why he left the military to pioneer MTV, he replied, 'I realised there was more influence and power with television than with weapons.'

Odd. The goal of warfare isn't to titillate our senses; rather it is the annihilation of all opposition.

Bill's military background is significant because there is no record of him making a plausible transition from the military to television. After leaving as a decorated soldier, he moves straight to the top of MTV. From the onset he was using the channel to make a political impact. He speaks about the fall of the Berlin wall:

'I joined in Late 88 or 89 and there was tremendous sea change of political events happening in Eastern Europe culminating with the wall coming down in East Berlin. ...We were actually distributing in Eastern Europe [as] these changes were happening... I was invited to give a speech in East Berlin about East meets West and it just happened to be the same week the wall came down and we were going to a reception with the politburo attending and great celebration and they didn't attend. They all resigned and that was 24 hours of when we hooked up MTV and we had this great picture of East German soldiers on the wall with an MTV umbrella.'

You were a NATO soldier but you ended up standing on the wall while it was being torn down. (Little smile) 'Yes there's tremendous irony in that...I've had these privileges of being in Eastern Europe with NATO at one point and then fast-forward twenty years later with television.'

When asked why he was attracted to television Bill again makes no mention of business motives.

What made you gravitate towards MTV which was a very young channel at the time? It was disruptive technology, ...what made you think you had a career there?

'Well, I always loved television. The power of television, the power to reach mass groups of people and then if you do it right, connect.'

What is this power? He gives us the answer when explaining how music is vital in the creation of a global culture,

'Music can be a unifying force, it can be a vehicle for cultural exchange, it brings people together and it also elicits an emotional response that sometimes is stronger than political leadership, even religious leadership.'

The natural target is the young, who once mesmerised and programmed by the music permanently change their culture. Bill is asked if the music he promotes is harmful,

'I think music by definition because it relates so strongly to young people is a little bit irreverent and therefore adults feel often unsettled with it. But I think the interesting thing about Rock 'N' Roll when it started it was very much that and people said 'O my gosh!' and obviously it seems very tame by today's standards, but the young people growing up then have kept music in their lives more than that generation.'

MTV changes indigenous cultures by localizing their channels. During the interview he repeatedly stresses the importance of localization:

'The defining characteristic I believe of our culture at MTV Networks is to respect other cultures... 2 billion people worldwide tune into the channel and we have this vertical connection with them, we're seen as a trusted voice.'

An example is MTV Indonesia: '...we're very visible in the Islamic world now, we've been in Indonesia now for many years, we have call of prayer on the channel in Indonesia 5 times a day and we do a portrayal of Ramadan in a youthful way so we have fun with it but we respect it of course.'

And when you've created a gateway into some exotic land, what do you do? You start modifying the behaviour of the audience to suit political ends, say by promoting the perils of...

'Climate change has the potential to affect the entire world. It's reached a tipping point more quickly than aids, it took years it seemed for it to be even covered by the media but the public seems to be ahead of the politicians and institutions on climate change...

but behavioural change is a challenge, I always say small pieces, with a network like MTV with almost 2 billion people small behavioural change on a large group of people equals a big thing, so if everyone turns their lights out it's equal to a big thing, so we can have an influence.'

From the sex and violence in MTV videos, there is also an agenda to make traditional values obsolete. Take a recent video by current superstar Lady Gaga called 'Telephone,' where almost naked girls beat and kiss each other in a lesbian prison. Are 12 year-olds demanding this as entertainment?

After viewing this pornography, sorry, music, and considering Roedy's comments, we can conclude that mass entertainment is weaponized.